I've always been a fan of good bluegrass. So, if people listen to public and college radio shows where the dj gets to play a lot of local stuff, and really can't say no, they will hear lot of bluegrass where every goddamn player in the band gets to solo on every song. Levels of talent always existed, but it is due to the proliferation of 25 to 40 buck an hour digital studios that every "band" thinks they are good enough to warrant making a cd. Or maybe I should say the product has gotten watered down. And, same as in blues, the talent has gotten watered down. In terms of modern bluegrass music, bluegrass bands abound. But then again gambling and Kris Kristofferson seems like a pretty good combination.įrom .co.uk (82.69.47.175)Įric Bazilian gets the mandolin credit on the studio recording of Atlantic City.įrom (64.12.117.131) He is playing at a casino of all places so I will probably be surrounded by gamblers fresh from the slot machines. I am really looking forward to seeing him, and even if he is not having a good night, I still feel it will be worth it getting to see him in person. I have been listening to more and more Bluegrass lately.īashfull Bill-Thanks for the kind words about Kris Kristofferson. I really feel only musicians can play Bluegrass, there ain't no strummin' like in some country music. It made me want to play Bluegrass, and I think I will get there one day.
"Matterhorn" by the country gentlemen is a great song.
I'd like to see an interview with Phil Ramone or Mark Harman about the recording.Īlso, is there any solid evidence that all four nights were recorded? There would be no reason not to record them all, but I find it very odd that the bonus tracks from the reissue are all the same versions we have on Academy of Outtakes. 28-31 '71 recordings for Rock Of Ages? Besides the reissue liner notes, it's hard to find information. Subject: information on Rock Of Ages recordingĭoes anyone know of detailed articles about the Dec.
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